Hey! Manchester @ St Philip’s Church

Hey! Manchester was established in February 2006 to promote alternative gigs in Manchester,  starting up because Jens Lekman wasn’t going to play in Manchester and they didnt want that to happen. The subsequent show sold out and everybody was very happy.

Since then they’ve promoted shows big and small, and everywhere in between,  striving to offer something different: favourite venues include The Deaf Institute, The Castle Hotel and The Kings Arms, and some of the more unusual include Godlee Observatory, the Presidential Suite of the Lowry Hotel and St Ann’s Church.

We’re not completely sure but we reckon they’ve debuted the likes of Jens Lekman, Final Fantasy, Espers, Edith Frost, Vetiver, Band of Horses, The Twilight Sad, Frightened Rabbit, Menomena, Mark Kozelek/Sun Kil Moon, Efterklang, Akron/Family, Johann Johannsson, Murcof, Horse Feathers, Telekinesis, Alaska in Winter, Bowerbirds, Grouper, William Fitzsimmons, Fruit Bats, Choir of Young Believers, Emanuel & The Fear and Mountain Man, as well as countless others no doubt.

We’re chuffed to have them back to SFTOC for the 4th time this year and their selections have yet to let us down. Subtle, thoughtful and always with a sense of occasion , we can’t wait to see what they have in store for 2012.

http://heymanchester.com


So far, we can confirm the following acts:

+ L O N E Y  D E A R

Multi-instrumentalist and home-recording phenom Emil Svanängen lives in Sweden, making records and playing shows under the somewhat inscrutable name of Loney Dear. In either his tiny Stockholm studio apartment or the basement of his parents’ house, and with a dedication bordering upon manic, Emil discreetly builds Loney Dear songs using a modest home studio set-up. In this way he has recorded and then released himself on CD-R four albums in the last two or three years. He has managed to sell several thousand of these, pretty much on his own.

The music of Loney Dear has been aptly described as, ‘soulful indie folk with a powerful mini orchestra’. Layer upon layer, adding instrumentation and vocals, these songs seem to bloom like time-lapse photography, depicting glimpsed scenes of modern disaffection and timeless yearning. When performing live, Loney Dear becomes the band Emil conjures alone in his home studio, and mutates into a duo. Following his Polyvinyl debut, Dear John, Loney Dear has returned with his sixth album, Hall Music.


+ S T R A N D E D   H O R S E

Stranded Horse is the unique kora/guitar/vocal songwriting idiom explored by Yann Tambour, (formerly Thee, Stranded Horse and Encre).

Hailing from Normandy, France, Yann’s music creates a musical formula that melts disparate musical modes and cultures – shades of the mandinka tradition of West Africa, medieval folksong, Fahey-esque fingerpicking, French chanson and more. His playing and compositional style on what is a daunting musical tool to master for a western musician is now entirely his own, a development Yann himself attributes in no small part to his ongoing work with one of the modern greats of the kora, Mali’s Ballaké Sissoko (best known to UK ears for “New Ancient Strings” the seminal duo album with Toumani Diabaté), “Sharing the stage with Ballaké on many occasions has taught me a lot. I started off as playing the kora like a guitarist, but by further exploring the kora, my approach to the guitar has changed as well … I basically learnt to get rid of a few rigid western rhythmic constraints, pay attention to the surroundings and play accordingly.”


+ L A U R A   J   M A R T I N

Laura J Martin hails from the suburbs of Liverpool with influences that ricochet between Serge Gainsbourg, Wu Tang Clan, David Bowie and Herbie Mann. Armed with a flute ready for wrangling, mandolin and a loop station, she sings over her loops and beats, songs inspired by subject matter as disparate as Japanese folklore to real life sentiments and characters.

As well as performing live on Rob da Bank’s Campfire Special (Radio 1), Laura has been invited on live sessions with Marc Riley (Radio 6) and Cerys Matthews, and enjoyed airplay from Gideon Coe and Nick Luscombe (Late Junction radio 3). . She has a host of solo gigs around the country supporting names such as Scout Niblett, Bonobo, Little Dragon, Singing Adams, Hannah Peel and The Simonsound (with whom she also performs on their live set).Laura has just finished an improvised album with Euros Childs and Sweet Baboo under the moniker ‘Short and Curlies’, and is now working on an EP with Richard James (Gorky’s Zygotic Mynci).

She has had a string of releases including the single ‘Spy’, released this June with Static Caravan, (the AA side featuring Buck 65), and, ‘Inside Your Bones’ a single made in collaboration with ‘The Simonsound’, released with Battered Ornaments (Finders Keepers). Laura’s much anticipated debut album will be officially released in February.

Spy by Laura J Martin


+ J O S E P H  &  D A V I D

Joseph & David comprise of best friends David Henshaw and Joseph Lawrenson, who have been writing music together for two years now, dividing their time between Cardiff and their Leeds hometown. When performing live, they are joined by a host of friends who provide additional piano, guitar, vocals, accordion, drums and violin to reconstruct the full, powerful sounds of their records. Their live performances in 2011 have seen the band gather an increasing amount of plaudits as a result of a full UK tour in support of Benjamin Francis Leftwich as well as gigs supporting the likes of James Vincent McMorrow, Peggy Sue, Foy Vance, and Jonny Kearney & Lucy Farrell. They also made a triumphant debut appearance at SWN Festival in October.

Their debut release ‘So Short of Time EP’ was a charming introduction to this talented partnership, and with their second EP ‘Rise Up The Sun’ (produced by James Kenosha and released December 2011), they show how they have developed and expanded their sound by creating a mature record that is both captivating and rewarding for the listener. Fans of Bon Iver will admire David’s stunning vocals as he drifts from sweet, delicate hushed whisperings (Sleepy Heart) to roaring intensity (Falling Wood). Whereas fans of Beirut and Devandra Banhart are likely to be enticed by the rich, varied depth of the instrumentation throughout.

“Stirring, melancholic campfire singalongs. Piano-driven folk with delicate but powerful vocals, moving between stillness and euphoria.”Q Magazine.

“The EP is a beautiful piece of piano driven folk, which demonstrates how they have mastered the dynamic between calming stillness and explosive euphoria, through the use of rich instrumentation and a strong voice.”DrownedinSound.


+ S T U A R T  M C  C A L L U M

From jazz beginnings to DJ culture, Stuart McCallum’s music is ‘alternative jazz’ - a distillation of influences, creating a sound that is concentrated and distinctive. Not wanting to hide behind over complicated harmonic and rhythmical structures, angular and forgettable melodies, Stuart’s music is a new hybrid of composition, production and performance. It embraces simple, memorable melodies, bass lines and drum beats, with electronica and improvisation enriched by elegant orchestral writing.

Stuart has a wealth of experience in many different musical environments and genres. After being invited to join the Cinematic Orchestra in 2004, Stuart has performed on and contributed to the writing of the band’s critically acclaimed albums, ‘Ma Fleur’ and ‘Live At The Royal Albert Hall’. In addition he has contributed to the award winning Disney nature documentary soundtrack, ‘The Crimson Wing’, and the remix of Radiohead‘s ‘Exit Music For A Film’ for Radiohead’s remix compilation album, ‘Exit Music: Songs For Radio Heads’. Memorable performances with the band from several worldwide tours include The Royal Albert Hall with the Heritage Orchestra and The London Metropolitan Orchestra, headlining The Big Chill and playing at Montreal Jazz Festival and Coachella festival in Palm Springs.

“The music suggests the feel of the Cinematic Orchestra, Brian Eno and In a Silent Way-era Miles Davis”The Guardian.

“Simple, understated and hypnotic he had the audience locked in and silent…Living proof that less is more.” - Jez Nelson, Jazz on 3, BBC Radio 3.